Childhood favourite: The Sea Witch Comes Home by Malcolm Saville

This novel by Malcolm Saville (1901-1982) represents another dive into my literary past, as Saville’s Lone Pine adventure stories were once great favourites of mine. I have previously written about the Dimsie books after I retrieved Dimsie Among the Prefects from my mother’s house (call it the Landing Book Shelves Annex). Similarly, I picked up this book on my most recent visit. It is the only Lone Pine book still knocking around the family home but I can’t remember exactly when I obtained it. As far as I remember I read most, if not all of the adventures in the series and used to save up my pocket money to buy the paperback editions or else borrowed them from our local library.

This edition of Sea Witch is a blue cloth-bound hardback, bought as a second-hand copy and with the previous owner’s name stamped inside. It appears to be a first edition (1960) but sadly the jacket’s condition has deteriorated over the years and as you can see from the photo, is quite damaged, so that part of the spine has faded. The book is otherwise in nice condition and the pages have worn the passage of time well. It is a pity that my copy isn’t in better nick as according to ABE Books, a good first edition could sell for as much as eighty-odd pounds. Oh well.

I never read the Lone Pine series in chronological order, the first being Mystery at Witchend (1943), but as each book contained a complete adventure, that never seemed to matter. The books followed the activities of a group of friends who formed a secret society called the Lone Pine Club. The club’s oath was sworn in blood, which was guaranteed to appeal to a child’s love of secret societies. If you recall from a previous post, Dimsie Maitland was a member of the Anti-Soppists society, though I don’t think that any bodily flids were involved in those initiation rites.

On re-reading Sea Witch many years later, I can see both why it appealed to me and why the Lone Pine mysteries followed naturally for me after Enid Blyton’s Famous Five adventure series. The idea of kids having lots of adventures largely without adults (girls got to be part of it too) greatly appealed to me at the time. And as for the thrill of solving mysteries that defeated more experienced hands, well that was the icing on the cake. Now as an adult, it’s slightly mind boggling to re-read and see just how much the kids got up to with just instructions to be home for tea. No mobile phones either!

Several of the Lone Pine books were set in Shropshire, some in Rye in Sussex. My fondness for the Shropshire countryside has its roots in the Lone Pine Stories; I even loved the place-names and wanted so much to visit the Long Mynd and the Stiperstones. Sadly, although I have been to Shropshire on several occasions, I’ve never yet got around to visiting Rye. With its connections to Saville, EF Benson and Henry James, I do feel that a visit is long overdue. The recently installed Blue Plaque, reported in the Rye News, to honour Malcolm Saville provides a fresh incentive to do so.

But, returning to The Sea Witch Comes Home, here is a brief plot summary to this Lone Pine adventure for the uninitiated amongst you. This East Anglian-set novel only features three of the club’s nine members, founder member David Morton (16) and his siblings Mary and Richard (Dickie) who are 10-year-old twins. The three head off to a village called Walberswick at the behest of David’s schoolfriend Paul Channing. Paul and his sister Rose are worried about their father who has gone off in his boat The Sea Witch without saying where or why. (And Mrs Morton calmly lets them go off to a house where no adult is around to keep an eye on them!).

As the children try to find answers, they realise that they are not the only ones trying to find Richard Channing. What is he involved in? As well as contending with inquisitive strangers while seeking answers to the mystery, the friends have to deal with a far more dangerous foe: the sea. The climax of the book features a coastal emergency, when the sea breaks through defences in several places, threatening lives and homes. In his foreword, Saville admits to cheating a little in his timing, as the high tides of the autumn equinox occur a bit later than early September, the time period of the story. It does make a dramatic plot element though. I won’t plot spoil, but of course the young detectives win the day and solve the mystery.

I suppose I can blame both Blyton and Saville for a life-long love of crime and mystery novels. The next stop was Agatha Christie, Conan Doyle and the rest was, as they say… history. If anyone is interested in Malcolm Saville’s Lone Pine stories, as well as the many other books that he wrote, then take a look at the website dedicated to his books, Witchend.com. Also, if you are interested in reprints of some of the stories, check out Girls Gone By Publishers to see their current list.

E F Benson: Mapp and Lucia Revisited

In the last few months I have been becoming reacquainted with Emmeline Lucas (Lucia) and Elizabeth Mapp. A Christmas present of the complete 1985/6 London Weekend Television series on DVD prompted my excursion into nostalgia-land. The Bookworm and I have watched the series of ten episodes twice already by now and I am sure that this will not be the last of the Tilling sessions by any means. Benson based Tilling-on-Sea on his home town of Rye, in Sussex and Miss Mapp’s home Mallards on his own Lamb House (now owned by the National Trust). There is a more recent Mapp and Lucia series from 2014, but I haven’t yet got around to watching. It would have to be good indeed to stand up to Geraldine McEwen and Prunella Scales in the starring roles.

Every time you watch McEwen (Lucia) and Scales (Mapp) in action, to say nothing of Nigel Hawthorn (Georgie Pillson), you find something new; perhaps something funny, but also (as in the best comedy) some sadness. Moreover, the costumes and sets are an absolute joy to look at and lust over. Lucia’s outfits in particular are wonderfully elegant, although she does go over the top with her choice of headgear at times. She certainly wouldn’t get lost in a crowd, but presumably that was her intention. It isn’t only the women who get to wear exciting creations, as both Georgie Pillson and Algernon Wyse are rather natty dressers indeed, both having a nice line in waistcoats.

Having revelled in the television version after a gap of so many years, I have been re-reading some of the ladies’ adventures, beginning (not in the correct order) with Miss Mapp (1922, 1990). At the beginning of the book, Benson describes the forty year old Elizabeth Mapp in this way, ‘Her face was of high vivid colour and was corrugated by rage and curiosity; but these vivifying emotions as preserved to her an astonishing activity of mind and body…Anger and the gravest suspicions about everybody had kept her young and on the boil’. Obviously incorrigible curiosity and suspicion can be excellent for both mental and physical health, although I am not sure whether the spied-upon neighbours would have benefited to the same degree.

Alongside this account of life in Tilling, I have been reading short story collection Desirable Residences (1991) so I have been having a three-pronged Benson attack on my summer reading schedule. These stories originally published in magazines such as Windsor Magazine, Good Housekeeping, The Storyteller and Lady’s Realm range from 1896 to 1935. The title story in the collection (1929) is sadly the only Mapp and Lucia tale in the collection. It describes the Tilling-ites’ thrifty habit of letting out their homes for the summer and moving into a cheaper house for the duration. This is how it works:

Those who live in the largest houses with gardens, like Miss Elizabeth Mapp, can let them for as much as fifteen guineas a week, and themselves take houses for that period at eight to ten guineas a week, thus collaring the difference and enjoying a change of habitation, which often gives them rich peeps into the private habits of their neighbours. Those who have smaller houses, like Mrs Plaistow, similarly let them for perhaps eight guineas a week and take something at five: the owners of the latter take cottages, and the cottagers go hop-picking.

A wonderful holiday letting system indeed; it is one that Elizabeth Mapp in particular exploits to the full. Miss Mapp is careful to ensure that garden produce will be included in the rent she pays, so that she can lay in sufficient store of fruit for the winter. This seasonal house exchange is of course, how the music loving Lucia first came to Tilling from Riseholme, when she took Miss Mapp’s house, Mallards for July and August. This prompted her eventual relocation and her new role as the leader of Tilling’s exclusive society (thus displacing the out manoeuvred Miss Mapp). The rest, as they say is history.

I now feel compelled to re-read the later adventures detailing the battles between the social leaders, on which the television series was based. Perhaps I will put the inestimable Lucia at the centre of a future blog post, thus giving me a perfect excuse to read more Benson! Maybe I will also catch up with the more recent BBC Mapp and Lucia series over the next few months.

Watch this space for more Tilling tales…

Additional picture credit (shot of Rye): Steve Knox at English Wikipedia