Landing Author Expected: Louise Phillips

In the next couple of days, The Landing is moving away from the foggy distant past and right bang up to date with a new #LandingAuthor guest spot. My guest this time will be psychological thriller writer Louise Phillips who has published her second novel The Doll’s House (Hachette Ireland) on the 1st August. If the reviews are anything to go by, The Doll’s House is looking to be as gripping a read as her first novel Red Ribbons.

Louise Phillips held a very successful launch party at Bob Johnston’s Gutter Bookshop on 7  August which I sadly missed as I was away on my hols. Arlene Hunt did the honours on the night and I gather a good time was had by all.

Louise Phillips

#LandingAuthor Louise Phillips

I am very pleased to be involved with Louise’s promotional blog tour for her follow-up to Red Ribbons and to have the opportunity to put a couple of questions to her. Look out for The Landing leg of Louise Phillip’s blog tour on Thursday 29th August.

Just to whet your appetite, here is the blurb for The Doll’s House as a little taster before Thursday:

The Doll's House

Dare you enter…?

PEOPLE SAY THAT THE TRUTH CAN SET YOU FREE.
BUT WHAT IF THE TRUTH IS NOT SOMETHING YOU WANT TO HEAR?

Thirty-five years ago Adrian Hamilton drowned. At the time his death was reported as a tragic accident but the exact circumstances remained a mystery.

Now his daughter Clodagh, trying to come to terms with her past, visits a hypnotherapist who unleashes disturbing childhood memories of her father’s death. And as Clodagh delves deeper into her subconscious, memories of another tragedy come to light – the death of her baby sister.

Meanwhile criminal psychologist Dr Kate Pearson is called in to help in the investigation of a murder after a body is found in a Dublin canal. When Kate digs beneath the surface of the killing, she discovers a sinister connection to the Hamilton family.

What terrible events took place in the Hamilton house all those years ago? And what connect them to the recent murder?

Time is running out for Clodagh and Kate.

See you on Thursday with Louise Phillips!

The Swerve: Philosophical Dynamite

The Swerve

How the Renaissance Began

As I think I have mentioned in a previous post, I have had The Swerve: How the Renaissance Began (Stephen Greenblatt) on my bed side table for a few months. I bought it just after Christmas with a book token from my daughter but it has lain neglected until our summer trip. If I tell you that I was reading this at 1am while sitting at Holyhead Port awaiting an overnight ferry (it’s a long story), then perhaps that might indicate just how well Stephen Greenblatt teases out the strands of his story into an enthralling read.

Greenblatt sets out to tell the story of the re-discovery in 1417 of a copy of an ancient poem origin by the Roman poet Titus Lucretius Carus (c 99 BCE – c 55 BCE), a follower of Epicurus (341 BCE – 270 BCE). By the 1400s, all of Lucretius’ writings seemed to have been lost, except for quotations in the work of Ovid and Cicero.

Luctretius’ work De Rerum Natura (On the Nature of Things) was re-discovered by a Papal Scribe with humanist leanings called Poggio Bracciolini (1380 – 1459). As Greenblatt makes clear, Bracciolini was more interested in the poetic quality of the work than the Epicurean inspired philosophical ideas contained within the  text. The content of Lucretius’ work would have been somewhat in conflict with his role as the Pope’s amanuensis.

De Rerum Natura

De Rerum Natura

Greenblatt goes on to trace the effects of De Rerum Natura over the centuries that followed. Provocative ideas had been quietly mouldering away, contained within a manuscript in a monastery scriptorium, copied by some long ago hand. But what were the ideas, the ones that were destined to inspire writers and thinkers for generations?  The one that really surprised me was Lucretius’ theory that everything was made of atoms. I had no idea that a theory along those lines existed so many centuries ago. One of the most shocking ideas that Lucretius put forward must have been the assertion that the world and all that it held wasn’t made by any divine being. Everything that happened in the universe had a natural explanation and wasn’t the result of gods throwing their weight about. And furthermore, that there is no life after death, no heavenly rewards.

The spread of Lucretius’ ideas down the years from reader to reader and from country to country makes for fascinating reading. Also fascinating to read about was the desperate reaction of the Catholic hierarchy as they sought to contain all traces of new (or rather old) ideas and philosophy from the Pagan past. Greenblatt traces Lucretius influence running through the works of Machiavelli, Montaigne, Ben Jonson and Shakespeare. Apparently Thomas Jefferson owned several copies of De Naturum Rerum and Moliere wrote a verse translation.

I’ve only skimmed the surface here to give you an idea, but even if you don’t have a bent for history this is a fascinating read, touching as it does on so many aspects of life and philosophy. Well worth a read!

Let me know if you have any thoughts…

Credits: addtional illustration courtesy of Wikipedia, with thanks.

Origins: Felt in the Natural World

I’ve re-blogged this article because I went along to Feltmakers Ireland’s exhibition at the National Botanic Gardens, Glasnevin yesterday. It certainly brightened up an otherwise wet and gloomy day.

If you have the opportunity to pop along to Glasnevin do try to do so as there are some fantastic pieces on display. It was impossible to choose a favourite artwork from the nature inspired creations.

I’ve never actually tried felting for myself though recently The Booworm and I had a bash at turning an old jumper belonging to He Who Put the Shelves Up into felt. It worked quite well but made a mess of the washing machine so I think we would boil items in a saucepan next time!

I’ll let you know about any future developments on The Landing feltmaking front!

The Feltmakers Ireland exhibition runs until 26th August at the National Botanic Gardens in the gallery above the tea rooms.

Feltmakers Ireland's avatarFeltmakers Ireland

We hope you can join us for the launch of Origins: Felt in the Natural World on Wednesday 7th August at 4pm. You will have  an opportunity to view the work, meet up with your fellow members of the guild and enjoy some floral refreshments.

Participants:

 Muriel Barnwell, Rosaleen Fleming, Fabienne Herbert, Nessa McCormack, Anne Walsh, Natzaret Sindreu, Kay McKenna, Mette Roche, Elizabeth Bonnar, Nicola Brown, Claire Merry, Marie Dunne, Suzie Sullivan, Aiveen Reid, Sheila Jordan, Mary Hayes, Holly Angle, Katalin Szucs, Mel Bradley, Annmarie Donnellan, Maureen Cromer, Joanna Kidney, Vicky Blomfield, Marika Miklosi-Manning & Gabriella McGrath

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Marc Chagall: Modern Master

The Landing Bookshelves have been rather quiet of late for one reason or another I’m afraid but I hope to shake off my dose of ‘Blogger’s Block’ as soon as possible. With a little bit of luck (as Alfred Doolittle once sang) normal service should resume shortly. Meanwhile, here’s a quick snapshot of a  new purchase for my TBR Pile...(!)

Chagall catalogue

Chagall exhibition catalogue

I went to visit the Marc Chagall (1887- 1985) exhibition at Tate Liverpool recently and indulged myself in a catalogue purchase with my birthday money afterwards. The last major Chagall exhibition held, which I also managed to visit, was Chagall: Love and the Stage at the Royal Academy in London, 1998.

I can still recall a feeling of being incredibly overwhelmed by the experience of looking at the paintings in the flesh as it were, that I had previously only seen in books. When I went on to study art history as a mature student later that year, I was able to choose Chagall as a topic in the assessment work for a couple of modules.

Not surprisingly I have yet to actually sit down and read my new catalogue properly but instead have been raptly gazing at the reproductions. One of my favourite paintings, The Promenade  (1917/18) depicting Chagall with his wife Bella floating in the air above him, is placed opposite the foreword. The rationale for this exhibition, according to the foreword, is to offer a reappraisal of Chagall’s work. This has  similarly also been essayed for Klimt, Picasso and Magritte in Tate Liverpool’s recent summer exhibitions.

The editors explain that the exhibition intends to represent Chagall ‘as a pioneering avant-gardist who responded to the initial problems and paradigms of abstraction with narrative elements, expressionist colour, nostalgia, fantasy and folklorist influences to create poetic and enduringly moving works.‘ Five essays by experts on Chagall’s work look these different aspects of his art, beginning with Simonetta Fraquelli on ‘Logic of the Illogical: Chagall’s Paintings 1911-1914’. The painting on the catalogue cover, I and the Village comes from this period; Chagall’s own particular view of the world is expressed in gorgeous colour in a brilliant composition.

Another essay in the catalogue explores Chagall’s influences from his Jewish heritage and his positioning of himself as a painter of a much wider world. Monica Bohm-Duchen (Marc Chagall: Russian Jew or citizen of the world?) discusses Chagall’s early life in Vitebsk, in a devout Hasidic household, his art studies in Russia and his eventual move to the cosmopolitan art world in Paris. Introducing her piece, Bohm-Duchen says that ‘an understanding of his complex relationship to his Russian-Jewish roots remains central to an understanding of his oeuvre’.

I look forward to settling down and reading these and the other essays in the book in the next few days. Chagall has featured in a previous blog post back in the #PoetryinJune series as the subject of an Alan Murphy poem. If you missed it first time round then do take a look at it.

More from the TBR Pile on the Landing Bookshelves soon. Drop me a line about your summer reading/activities if you have come across anything you’d like to share.

Back soon!

From Cakes to Books: a snatch of memoir

celebration cake

An edible report card…

At the end of the last school term I put my cake decorator’s hat on and made a cake to celebrate the end of primary school for my daughter’s class. My cake decorating past goes back a few years, since long before my bookselling days, and I have tried to put together a short piece about how it began.

Here it is (though no doubt this isn’t the final version!).  I have been working on bits and pieces of memoir for a while; basically tinkering with the same few episodes over and over again. I hope that I will soon feel inspired to move on with my project. I might even manage to connect all of the episodes together into a more or less coherent version of my life at some point.

The Cake Lady: birthdays, weddings and yet more birthdays

 

Browsing through photos of the celebration cakes that I created during the 1980s brings back memories of another life; when I became known to my regular customers as ‘The Cake Lady’. It made me sound rather like an eccentric Alan Bennett character. By way of contrast I was also dubbed ‘the modern one with the ear-rings’ by an elderly customer, which may or may not have been a compliment.

My enterprising daughter has had the lovely idea of making a cake decorating album. She assembled several years’ worth that had been quietly languishing in a jiffy bag. The album was my Mother’s Day present, labelled Mummy’s Cake Album and prettily decorated with chicks and eggs. I am undecided whether I am more proud of her efforts or my own.

I became a self-employed cake decorator more by accident than design and I never made any money at it. In fact, after dutifully maintaining accounts my turnover was non-existent. I don’t think that’s what people normally mean by tax-free status. No Swiss bank account for me. I was rather dampened to discover that I had actually had a loss making operation. And so the photographs are all that remain of my would-be business empire. Mr Kipling and his ‘exceedingly good cakes’ had nothing to fear from me.

I trained in Birmingham in the late 1970s at what was then known as the Birmingham College of Food and Domestic Arts. It didn’t occur to me then to wonder what those ‘domestic arts’ were but sadly it’s too late to find out now. It felt incredibly grown up to be at college and learning a trade. No more bells; and school uniform was exchanged for bakery whites purchased from the Army and Navy Store. I also bought a splendid set of knives, thermometers and icing tubes, some of which I still have. 

A few years down the line, I was, as they say resting between engagements when I first began to make cakes from home. There was never a grand plan as initially it was something to do while unemployed. In theory, working from home is a fantastic idea: no boss, no commuting, etc. In practice, I found that it often meant that I iced cakes at midnight. I also lived in a flat almost permanently festooned with half decorated cakes and finished cakes awaiting either collection or delivery. Delivering was a bit tricky since I hadn’t passed my driving test. Fortunately, most customers were happy to collect.

Birthday cakes were my ‘bread and butter’ trade but I also made several wedding cakes including a four tier hexagonal of which I was particularly proud. I loved making kids’ birthday cakes, but did become mildly exasperated by traditional ‘pink/girl and blue/boy mentalities. Someone once requested ‘Thomas Tank engine’ for a girl and I felt like cheering. ‘My Little Pony’ cakes were nowhere near as much fun as smoke breathing dragons or even rabbits in hats. But Winnie the Pooh (the EH Shepard version) was always my favourite subject

I began to build a photograph album for prospective customers and even produced a price list. Well, when I say ’I’ actually a friend typed and photocopied it while my sister did the artwork. The tedious part was mine and that was doing the costing; my main problem was judging profit margins. But it helped to have a proper list as I always felt squeamish about asking for money, though I think my prices were reasonable.

While working as a cake decorator I also worked at a delicatessen which also sold my cakes and later I ran my own market stall for a time. A regular customer base for celebration cakes gradually built up. At one point I even went leaflet dropping around the well healed leafy suburbs of Birmingham to drum up business. Another outlet for my cakes was acquired when an American acquaintance put me in touch with the owner of a cookie shop in the city centre.

The major snag with retail outlets was that I had to discount prices. There was also much more enjoyment in dealing with my personal customers and discussing their requirements. It was nice to chat to customers about their order and get some feedback too. My pinnacle of achievement was a child liking her cake too much to cut it on the big day (a duck in a mob-cap and apron).

 Literally ‘success on a plate’!      

My next post will be a return to books and the Landing Reading Challenge, I promise. Meanwhile, if anyone has any memoir writing tips, I’d be glad to hear them.

Making Elderflower Champagne – and a celebration.

I’m reblogging this piece in honour of my (or rather our) successful batch of Elderflower cordial. This is the second year that we have had a go and we were very pleased with the results. Maybe we’ll have a bash at champagne next year, who knows!….

The BookCrossing Experience

My apologies for the long gap between the last blog post and this one; I resolve to be a better blogger over the remainder of the summer months. I enjoyed tackling my #PoetryinJune challenge but it has been nice to take a breather afterwards. Perhaps I will see if I can come up with another ‘Month of…’ in the future. Any ideas and suggestions will be more than welcome.

With the advent of the summer holidays, a blog topic has obligingly suggested itself to me as we start to think about books to take on  various journeys. You might hazard a guess from that last sentence that we are not an e-reader owning family, and you’d be right. But it isn’t only recalcitrant readers like us who still pack paperbacks; dedicated BookCrossers will also be packing assorted volumes to leave in hotel rooms, cafes, departure lounges and railway carriages. I joined the BookCrossing fraternity in 2007 and have ventured intermittently into the delights of BookCrossing ever since.

I wrote a piece about my not-so-successful experiences a couple of years ago for Hackwriters and I have now posted the article up here under The Blurb section and an extract from it below. My inspiration for digging out the article was that He Who Put the Shelves Up found a BookCrossing release at Trinity College one Saturday in May. I registered the find on my account and the book is due to be re-released back into the wild any day now, in a location in Shetland. The book that we found and registered was Black and Blue by Anna Quindlen and it had originally been released in Dublin in 2009. This is actually the first find I have ever registered and strictly speaking I can’t even really claim the glory for the achievement. I didn’t get around to reading Black and Blue before it set off on its next journey but it seems to have been well reviewed on Goodreads so I hope that whoever finds it agrees.

The Curse of the Pharaohs

An Amelia Peabody Murder Mystery

All this has inspired me to choose a book or two from my own shelves (but not The Landing ones) that I will register and send out into the world over the next few weeks. After much deliberation I’ve picked the first book; a re-read that I recently bought from Oxfam in Dundrum, Dublin. So, Amelia Peabody in The Curse of the Pharaohs (Elizabeth Peters) will be scheduled for departure in a few days time. I’ve read several of these historical murder mysteries but not in the right order. With this one I found myself almost back in the beginning of the action as this is only the second adventure for the spirited Egyptologist and her husband Radcliffe Emerson. I was fooled by the jacket of this newish edition (2006) and didn’t at first realise that it was one I had read several years ago.

Curse of the Pharaohs sees Amelia, now a wife and mother (to Walter aka Ramses) settled in a mansion in Kent. Peabody and Emerson (as they address each other) are unutterably bored by elegant domesticity and neither of them are cut out for socialising with their neighbours. Amelia bemoans that ‘They cannot tell a Kamares pot from a piece of prehistoric painted ware , and they have no idea who Seti the First was’.  With these exacting standards perhaps it’s not surprising that the Emersons take the first opportunity that presents itself to travel back to the Valley of the Kings. Deadly danger is preferable to tea parties. As the author points out, ‘Amelia is planning to draw her last breath holding a trowel in one hand and her deadly parasol in the other’. If you haven’t yet made the acquaintance of the duo of dedicated Egyptologists, then give the books a try. Elizabeth Peters’ historical detail is good and the books are lively and entertaining reads. Read up the background on the Amelia Peabody website.

BookCrossing for beginners: how not to do it if you want to be successful

Recently I decided to log on to the BookCrossing site again and take a look to see if anyone had by any lucky chance registered a copy of a children’s book that I’d love get my mitts on. (It’s called Holiday at the Dewdrop Inn by Eve Garnett in case anyone was wondering). I’ll explain the web site briefly for those BookCrossing virgins out there. This is how it works: you just register the book/s that you no longer want, write some blurb if you choose and give the book a star rating. The system automatically generates a BookCrossing Identification Code (BCID) for each book. When you decide to release your book you can either print off a label to fix in the book or simply write a note to attach. You post release notes online about the location and the time at which you will send your book into the wild blue yonder. In theory eager readers could be on the spot to nab just the volume they’ve been waiting for by using the advance information. On the other hand a passer-by may have a delightfully serendipitous find. You may also choose to leave a registered book somewhere and post the details later. If the finder then logs the BCID on the home page, the original owner can track the book’s journey. If you are looking for a particular title you can also do a search of the registered books and arrange a book swap through BC’s message system (a controlled release).

The BC site looked a bit different since the last time I visited; there’d obviously been a revamp, but imagine my amazement when I realised that the last time I had released a book into the wild was in July 2008. Where had all that time gone? What had I released? Why had I stopped doing it? And more to the point, where had all those books gone that I had so trustingly let go? I should have guessed that it had been some time since I last logged on by the fact that I had trouble remembering my password. Mind you at one point I was also misspelling my own name which didn’t help the situation. But I digress. The point is this: I put the children’s book title on my wish list (actually the only item on it) and bravely resolved to give the BookCrossing thingy another go.

Now, I’m off to do a little more BookCrossing…if anyone else has any BookCrossing experiences please drop a line in the comment box!

A Poem by Anonymous ?

For the last of my #PoetryinJune features I thought that I would feature a poem from that ever prolific versifier Anonymous (often shortened to Anon). Not only prolific but of amazing longevity, Anonymous has penned poems, songs, ditties and doggerel on a variety of subjects for several centuries. His/her versatility is truly legendary in poetic circles, therefore it is not really surprising that no anthology is complete without at least a couple of verses by the writer known as Anonymous.

I therefore browsed though an anthology, Other Men’s Flowers edited by A.P. Wavell (Cape 1944, 1958). This is a rather nice reprint of the memorial edition of Wavell’s book, complete with red slip-case, bought from a book fair about twenty years ago. After much indecision amongst the ‘Anons’ I chose the nonsense poem below, partly because I have always liked it and partly because a pair of cormorants nest on top of an old chimney on a nearby stretch of the River Dodder. We often see them in the spring but sadly have never yet been able ascertain whether they do indeed lay their eggs in a paper bag. The chimney is rather tall you see.

Birds, Bags, Bears, and Buns

Book cover in blue leather binding

Other Men’s Flowers

The common cormorant or shag
Lays eggs inside a paper bag.
The reason you will see, no doubt,
It is to keep the lightening out,
But what these unobservant birds
Have never noticed is that herds
Of wandering bears may come with buns
And steal the bags to hold the crumbs.

Now comes the rub. On browsing the internet to see whether I could find out more about this poem, I discovered that poem has been attributed to Christopher Isherwood. Wikipedia say that it was in Poems Past and Present and they reference a 1959 (fourth printing) edition from J.M. Dent and Sons (Canada) Ltd. What puzzles me somewhat is how the poem came to be attributed to ‘Anon’ in the first place if it indeed by Isherwood.

If anyone out there can offer any concrete information on this poem’s history, I would love to hear about it. I hope you have enjoyed this month’s trawl through The Landing poetry books on the TBR (or not read for a long time) Pile. Thanks for the comments and likes posted up – I appreciate the contact.

See you soon!

Ogden Nash

Now that school’s out for summer, I think that we should have another beach related poem to nudge us a little  nearer towards the end of the month. Ogden Nash (1902-1971) has given his own inimitable take on the urge we have to go down to the beach. His poem Seaside Serenade was originally published in The Bad Parents’ Garden of Verse (1936). I have this poem in Candy is Dandy: the Best of Ogden Nash (Andre Deutsch, 1994) which has an introduction by Anthony Burgess. I bought this collection a few years ago when I was working in Dún Laoghaire. This was another case of a customer bringing a book to my attention; the great thing about working in a bookshop is that you gain much inspiration from customers.

I like the parody of R.L. Stevenson in the title of the 1936 collection, so I thought that would be an additional reason to include this particular poem at the start of the school holidays:

Seaside Serenade

But liquor is quicker..

But liquor is quicker..

It begins when you smell a funny smell,
And it isn’t vanilla or caramel,
And it isn’t forget-me-not or lilies,
 Or new-mown hay, or daffy-down-dillies,
And it’s not what the barber rubs on Father,
And it’s awful, and yet you like it rather.
No, it’s not what the barber rubs on Daddy,
It’s more like an elderly finnan haddie,
Or, shall we say, an electric fan
Blowing over a sardine can.
It smells of seaweed, it smells of clams,
It’s as fishy as ready-made-telegrams,
It’s as fishy as millions of fishy fishes,
 In spite of which you find it delishes,
You could do with a second helping, please,
And that, my dears is the ocean breeze.

……

The poem goes on to describe the sights usually seen on a beach: ‘Is people reclining upon their abdomen’ and ‘Kiddies in clamorous crowds that swarm’. It finishes with a riff on John Masefield and Sea Fever:

Oh, I must go down to the beach, my lass,
And step on a piece of broken glass.

If you go down to the beach this holiday, I hope that you don’t step on any broken glass, but that you do enjoy the sea breezes.

I have only one more day of #PoetryinJune left and I hope that you have enjoyed the poetic offerings this month and Ogden Nash’s verse today.

Christopher Robin and Alice

Today’s choice for #PoetryinJune post is to combine two things: my mum’s birthday (which strictly speaking is tomorrow) and our daughter’s last day in primary school today. My mum used to sing this song to us when we were little and I tried to do the same with my daughter but couldn’t quite remember the tune. I wish I’d found this clip sooner:

Credit: YouTube – uploaded by Robert Ready (2008) – with thanks

See you tomorrow….