Culture Club at Liberties Upstairs

I have borrowed my post from the Members’ Blog on Writing.ie, in which I talk about a new venture that I am involved in organising for Liberties Press In Dublin. The main reason I want to mention the Culture Club venture here is that the first session features a previous #LandingAuthor, Daniel Seery (author of A Model Partner). Sometime soon I hope to include a guest post from Caitriona Lally (Eggshells) as well so that’s a another reason for borrowing my blog post. Of course, I’m also not averse to spreading the word about the Liberties Upstairs Bookshop’s Culture Club either!

A Model PartnerThis post sees me wearing my Liberties Press (Liberties Upstairs) hat, as I want to spread the word about a new venture that I’ve been involved in organising for the Liberties shop. Inspired by the positive experiences of organising the Liberties Upstairs Saturday morning book club (running since November 2014), I have decided to try setting up a monthly Culture Club. My aim is to have a varied programme, drawing on the resources of Liberties Press authors, publishing insiders and the arts and crafts contributors at Liberties Upstairs. The pattern of the sessions will be a talk and or reading followed by the opportunity for questions and discussion over wine or coffee. We might even rustle up a few biscuits to keep up our strength for the Q and A (well, what’s sauce for the book club….)

As the Liberties book group runs in a morning, we‘ve opted for an evening culture club, which we hope will be similarly supported by the local community. Indeed, some book club members have already expressed an interest in the new Liberties venture. The club will run on the last Wednesday of the month, with the inaugural event on 24 June at 7.30 pm. For this session, I am delighted to have debut authors Daniel Seery (A Model Partner) and Caitriona Lally (Eggshells), both alumni of the Novel Fair to talk about writing, pitching and getting a publishing contract. Both writers will speak and give a short reading, so it will be a packed evening to start our series of events. It should be a lovely beginning to our new programme; Daniel and Caitriona are looking forward to appearing, so I hope that a good time will be had by all.

Events and launches are an important part of any bookshop’s strategy in the ceaseless quest to increase footfall, that dread word. The Liberties Upstairs bookshop has hosted several events since setting up Liberties Upstairs in November 2013. However, this is the first time for embarking on organising a series of events. Initially I have planned a programme of six sessions with a further six in the pipeline for next year if all goes well. We plan to announce the first part of the programme at the June meeting. I hope that some people will be keen enough to sign up for the whole six sessions. My technology skills (!) have enabled a booking facility through our online shop (€5 euro per event) so I felt quite a sense of achievement when receiving the first confirmation.Eggshells

I’m looking forward to next week’s event; perhaps our author talks will inspire at least one would be writer to give it a go and aim for the Novel Fair. You never know what might happen…

Look out for a future post on The Landing from Caitriona Lally, and if you’re Dublin based, look out for future Culture Club events in Liberties Upstairs!

 

Daniel Seery: A Model Landing Author

As promised yesterday, and just in time to liven up a chilly Monday morning in Dublin are a few questions that I put to Daniel Seery, author of A Model Partner (Liberties Press). I was surprised to realise just how long it’s been since I had a guest post (my last was Louise Phillips in August) so I’m pleased to welcome Daniel to the #LandingAuthors club. I do feel compelled to mention that as I  now work for Liberties Press, any praise I give Daniel’s book might seem biased. Therefore, I will more or less let him speak for himself other than to say that I think Daniel has created a very engaging and sympathetic character in his main protagonist Tom Stacey.

CM: I was reading in your piece on Writing.ie that you have written and directed a play and been shortlisted in an RTE drama competition. Can I start by asking you how difficult you found it to direct your own piece?

DS: When I write a piece I tend to visualise the whole scene, the pace of the drama, the way a character will deliver a line, the tone they use, even their movement. Initially, it was difficult to let go of this and allow the actor to move forward with their interpretation of the play. And in this respect I had to stop myself from over-directing and trying to control every aspect. But I knew the actor very well. I’d seen him in plenty of plays and I trusted his judgement and his skill. In the end, a lot of the directing came down to the physical arrangement and other technical details.

A Model Partner

CM: Moving on to novel writing, how different do you find the creative process to be from writing for the stage? 

DS: I had a good idea of the themes that I wanted to have in the play so I approached it in the same way I’d approach a novel, in that I usually try to get a rough draft down as quickly as possible in an effort to capture the tone of the piece. The editing stage was very different though, imagining how everything was going to look from an audience perspective and adapting it for the stage. But it’s nice to take on a new challenge with your writing. I’ve a couple of ideas for screenplays and I hope to get the time to write them someday.

CM: In A Model Partner, you have thrown a lot of misfortune Tom’s way during his formative years. Did you plan this from the start or did events take shape as you worked?

DS: The first time I imagined Tom he was leaning against a wall, listening in on his neighbours. I pictured this character on the fringes of society and I wanted to delve into how he ended up in this situation. Because I wanted the character to have a lot of heart, it would make more sense that he was a victim of circumstance and the actions of other people. It also offers the notion that often the bad events in our lives can impact us greater than the good.  

CD: Assuming that Tom finds ‘the one’ do you think that she would be able to cope with Tom’s obsessive need to place his chair exactly so, or do you feel that he would no longer have a need to control his environment so closely?

DS: I think a large part of relationships is about understanding and allowing for a partner’s natural or emotional flaws, so Tom would need to meet someone who is patient and will give him time to change. I think there are some signs in the book that his behaviour is altering. Perhaps he just needs someone to have faith in him and to love him, just like everybody else, I guess.

CD: Following on from the last question, I wondered how much research you did in order to flesh out Tom’s psychological profile in a convincing way.

DS: I wanted Tom to have rigid mannerisms but I wasn’t sure as to what extent I could push this character. So I researched a lot of psychology and medical journals in order to find similar cases and articles relating to trauma and OCD and the unwavering need to control an environment. Once I had some understanding of similar conditions and that I wasn’t merely going on any engrained stereotypical ideas, I felt free to move forward with Tom and the book. Luckily, I work in a library so I have plenty of access to this type of material.

CD: Deciding to use a wax dummy as a model for a partner could have been tricky to pull off as a plot device for all sorts of reasons that it might be best not to go into here. Were you at all wary of introducing her/she/it into the story?

DS: I think writers can often have doubts about the avenues they are taking with their plot. There is certainly a risk when introducing a waxwork model as a character, the fact that it could turn out farcical or that it might weaken some of the themes you are building. But the positive outweighed the negative, like the humour it could add to balance out the book or as a tool to show that beauty runs much deeper than a culmination of perfect traits. It needed a lot of work to fit seamlessly into the book but I think it was a risk worth taking.

CD: This final question is out of simple curiosity: Tom’s friend J.P. carries On the Road around with him and of course, Tom and his grandfather have their own road trip. Were you inspired by a road trip of your own and are/were you a Kerouac devotee?

DS: I wasn’t inspired by a road trip but the back story was in some ways influenced by the fact that my father is a truck driver. As a kid I’d love getting the chance to sit beside him in the cab and go for a drive. If I’ve a natural talent at anything in life it is definitely the talent of being a good passenger. Although Iggy Pop’s The Passenger was released on the Lust for Life album the year I was born, I still think he must have written the song about me!

‘All of it was made for you and me…so let’s take a ride and see what’s mine’

With On the Road, I loved the novel but I wouldn’t say I was a devotee like J.P. Instead, I wanted to use Kerouac’s book as a symbol of a future that JP naively presumes he is entitled to. But with the likes of JP, their aspirations are only a mimic of someone else’s aspirations and they are reluctant to chase or work for their vision of the future. And in some ways they are forever waiting on an adventure that is never going to happen.

Many thanks to Daniel Seery for taking the time to answer a few questions about Tom Stacey and A Model Partner. I hope that you will now be intrigued enough to want to read the book for yourselves. If so, just follow the links to the Liberties Press site where you can order a copy.

Now, I’ll try not to leave it too long before my next #LandingAuthor…

Introducing Landing Author Daniel Seery

As I mentioned on Twitter earlier this week, I am due to host debut author Daniel Seery  (A Model Partner, Liberties Press) on The Landing. Daniel’s novel had a successful  launch last week at The Gutter Bookshop in Dublin by fellow Stinging Fly contributor Colin Barrett. As you will know from one of my previous posts, Daniel generously gave a guest spot on his blog in the form of a Q & A to his cover designer Karen Vaughan. This time it’s Daniel’s turn to go under the spotlight with a few questions based on A Model Partner. I’m going to post up the email interview on Monday but meanwhile here is a short introduction to Tom Stacey, whose methodical search for his perfect partner will lead him into some surreal situations…. But will he find ‘the one’?

A Model Partner

The bees are a buzzing…

Tom Stacey has moved into his neighbour’s bedsit. He wasn’t asked. It was just that the door was open and his neighbours have gone on holiday. And it is so much bigger than his own bedsit. Plus, he has a lot to think about these days. The bees for one. He hasn’t seen any but he keeps hearing them, buzzing in the fridge at work, in the overhead lights, in the test equipment in the factory where he has spent the last fifteen years of his working life. They seem to be getting louder and more insistent, and they are beginning to affect the way he goes about his business.

Then there is his search for Sarah McCarthy to worry about. Sarah was his first love when, as a teenager, he travelled around the country in the back of a horsebox with his grieving grandfather. But perhaps it is not the bees or the past which is the problem. Perhaps it is his on going loneliness. Twenty-two dates with Happy Couples dating agency and nothing to show – bar a dent in his bank balance and several complaints about ‘eccentric behaviour’. Relationships are all about the details and there are just not enough boxes to tick in the Agency’s personal profile form.

Armed with a wax model and a list of criteria, Tom sets out on a quest to create a personal profile to find his ideal match. On his journey, he meets people just like him, warm but unable to show it, lonely and unable to remedy it, the lost, the misplaced and the damaged.

Daniel Seery

Daniel Seery

About the author:

Daniel Seery is a writer from Dublin. His work has appeared in local and national publications including The Stinging Fly and REA Journal and he has worked on a number of public arts commissions. In 2012 he was the resident writer in the Axis Centre, Ballymun. He has also been shortlisted for an RTÉ drama competition, has recently been one of the winners of the Irish Writers’ Centre Novel Fair and he has written and directed a play The One We Left Behind which ran in the Irish Writers’ Centre in May 2012 and in the Helix in August 2012. A Model Partner is his first novel.

Credits: Book blurb and cover taken from Liberties Press website.
Author photograph taken from Daniel Seery’s blog.

An Interview with Karen Vaughan…

This post from Daniel Seery’s blog is an interview with one of my colleagues, graphic designer Karen Vaughan. When I discovered from reading this that we share a liking for Edmund Dulac and Arthur Rackham, of course I had to give her a mention! It’s also worth checking out more of Daniel Seeery’s blog if you have the time. His first novel A Model Partner (Liberties Press) is being launched next week in Dublin. And it does have a great cover…

Daniel Seery

In 1925, an artist by the name of Francis Cugat was commissioned to design the cover of F. Scott Fitzgerald’s ‘The Great Gatsby’ despite the fact that the novel had yet to be completed.  When the author saw the cover, he was so enamoured with it that he told the publisher he had written it into the book. This is the power a cover illustration can have on a book.

Gatsby_1925_jacketRecently, I’ve been working with a fantastic cover artist by the name of Karen Vaughan.  Karen is an illustrator and designer working with Liberties Press. She has a particular love for pen and ink and examples of her work can be seen on her website –

http://kvaughan.com/

She is an artist to watch out for in the future and luckily I managed to get an interview with her…and here it is…

Karen, when did you first realise you wanted to…

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